{"id":1968,"date":"2012-08-22T22:31:29","date_gmt":"2012-08-23T02:31:29","guid":{"rendered":"http:\/\/www.westwoodvalley.com\/?p=1968"},"modified":"2012-08-22T22:31:29","modified_gmt":"2012-08-23T02:31:29","slug":"my-musical-evolution-part-238-roach-days-revisited-call-my-answering-machine","status":"publish","type":"post","link":"https:\/\/wrharrison.com\/musicalevolution\/2012\/08\/22\/my-musical-evolution-part-238-roach-days-revisited-call-my-answering-machine\/","title":{"rendered":"My Musical Evolution &#8211; Part 238 Roach Days Revisited Call My Answering Machine"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-1969\" style=\"margin: 5px;\" title=\"More 80s Girls\" src=\"http:\/\/www.westwoodvalley.com\/wp-content\/uploads\/2012\/08\/More-80s-Girls-240x300.jpg\" alt=\"More 80s Girls\" width=\"240\" height=\"300\" \/>Living at The Roach Motel with Aric was a blast. I couldn&#8217;t have asked for a better house mate. I hope I was as courteous and supportive to him as he was to me. I almost said that I was at the perfect age again but that really doesn&#8217;t cover it. It was a great time to be living on my own. The work was easy, the parties were epic and the women were abundant.\u00a0 The middle 80&#8217;s were a turning point of sorts. The glitz and glamour of the early 80&#8217;s [as depicted here -&gt;] had slid into Madonna&#8217;s shabby chic and was working its way out again toward a more <em>home grown<\/em> sensibility. The transformation was gradual.<\/p>\n<p>The music followed the same sort of arc. The <em>Out There<\/em> type stuff like <em>Safety Dance <\/em> and <em>Culture Club<\/em> got overshadowed by the likes of <em>Bruce Springsteen, Steve Winwood<\/em> and <em>John Mellencamp<\/em>. The bubble gum, new wave, electronic cycled down a bit and the return of regular guitars and traditional rock songs cycled up.<\/p>\n<p>Along the way I discovered an excellent way to meet girls. Back in the\u00a0days before mobile phones, an answering machine was essential because we weren&#8217;t home to answer the phone too much.\u00a0 Typically, people have trouble summoning the courage to give somebody their number or to call the number they have been given.\u00a0 The method I developed eased those nerves. First, I&#8217;d create an unusual 30 second answering machine message.\u00a0 30 seconds was all that our old dual cassette type machine could handle. I found that I could use my Sears dual cassette enabled stereo to ovedub from Tape 1 to Tape 2. Repeating this procedure allowed me to make these multilayered 30 second pieces that featured soundtrack, background sounds, sound effects and dialogue.<\/p>\n<p>Next I&#8217;d approach girls in groups of two or more. I&#8217;d give them my number then tell them to call my answering machine and check it out. It was easy to approach girls and ask them to call because i wasn&#8217;t asking them to call me, just my machine. On top of that I had acquired what Mike Damone called <em>the Attitiude.<\/em><\/p>\n<p>Giving the number to a girl who was by herself was not as successful as giving to the group. If you give it to the group, they will encourage each other to call it. Calling a machine also put them at ease. They know that they have the option to just listen\u00a0and hang up or to leave a message of their own. Again girls in groups would often be brave enough to to say something.<\/p>\n<p>&nbsp;<\/p>\n<p>Sade &#8211;<em> Smooth Operator<\/em><br \/>\n<iframe loading=\"lazy\" width=\"640\" height=\"480\" src=\"http:\/\/www.youtube.com\/embed\/4TYv2PhG89A?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n&nbsp;<\/p>\n<p>Julian Lennon &#8211; <em>Too Late For Goodbyes<\/em><br \/>\n<iframe loading=\"lazy\" width=\"640\" height=\"480\" src=\"http:\/\/www.youtube.com\/embed\/vh4Cni_wp-Y?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n&nbsp;<\/p>\n<p>Tina Turner &#8211; <em>Typical Male<\/em><br \/>\n<iframe loading=\"lazy\" width=\"640\" height=\"480\" src=\"http:\/\/www.youtube.com\/embed\/BXXcKJ4psk0?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n&nbsp;<\/p>\n<p>Robbie Nevil &#8211; <em>C&#8217;est la vie<\/em><br \/>\n<iframe loading=\"lazy\" width=\"640\" height=\"480\" src=\"http:\/\/www.youtube.com\/embed\/CGtf9QfITQw?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n&nbsp;<\/p>\n<p>George Michael &#8211; <em>I Want Your Sex<\/em><br \/>\n<iframe loading=\"lazy\" width=\"640\" height=\"480\" src=\"http:\/\/www.youtube.com\/embed\/vldh7oQD-a4?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Living at The Roach Motel with Aric was a blast. I couldn&#8217;t have asked for a better house mate. I hope I was as courteous and supportive to him as he was to me. I almost said that I was at the perfect age again but that really doesn&#8217;t cover it. It was a great &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/wrharrison.com\/musicalevolution\/2012\/08\/22\/my-musical-evolution-part-238-roach-days-revisited-call-my-answering-machine\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;My Musical Evolution &#8211; Part 238 Roach Days Revisited Call My Answering Machine&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[255,342,512,515,536,694],"class_list":["post-1968","post","type-post","status-publish","format-standard","hentry","category-my-musical-evolution","tag-george-michael","tag-julian-lennon","tag-roach-days-revisited","tag-robbie-nevil","tag-sade","tag-tina-turner","entry"],"_links":{"self":[{"href":"https:\/\/wrharrison.com\/musicalevolution\/wp-json\/wp\/v2\/posts\/1968","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wrharrison.com\/musicalevolution\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wrharrison.com\/musicalevolution\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wrharrison.com\/musicalevolution\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wrharrison.com\/musicalevolution\/wp-json\/wp\/v2\/comments?post=1968"}],"version-history":[{"count":0,"href":"https:\/\/wrharrison.com\/musicalevolution\/wp-json\/wp\/v2\/posts\/1968\/revisions"}],"wp:attachment":[{"href":"https:\/\/wrharrison.com\/musicalevolution\/wp-json\/wp\/v2\/media?parent=1968"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wrharrison.com\/musicalevolution\/wp-json\/wp\/v2\/categories?post=1968"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wrharrison.com\/musicalevolution\/wp-json\/wp\/v2\/tags?post=1968"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}